Paul Sharits
Trained as a graphic artist and a painter, Paul Sharits became an avant-garde filmmaker noted for manipulating the film stock itself to create a variety of fascinating, abstract light and colorplays when projected on the screen. Fans hail the effects hallucinogenic, while his detractors find them garish. Sharits is also known for establishing experimental film groups at prominent universities, including one at the University of Indiana where he studied. He later taught and developed an undergraduate film program at Antioch College. Between 1973 and 1992, Sharits taught at the Center for Media Study at the State University of New York. His films can be seen in various U.S. and European museums, film centers, and libraries. Much of his work can be found in the Anthology Film Archives in New York City. ~ Sandra Brennan,
Known For
Credits
- 2015 · Paul Sharits as Himself
- 2006 · Funtime at the Vasulkas as
- 1997 · Birth of a Nation as Self
- 1987 · Rapture as
- 1985 · Home Movies 1971-81 as
- 1981 · Cinématon XIII as N°120
- 1978 · Cinématon as N°120
- 1977 · On the Marriage Broker Joke as Cited by Sigmund Freud in Wit and Its Relation to the Unconscious, or Can the Avant-Garde Artist Be Wholed? as Liveraccio
- 1976 · Paul Sharits Interview with Gerard O'Grady as himself
- Future · Cinématon n°120 : Paul Sharits as