Vilmos Zsigmond
June 16, 1930 (94 years old) in Szeged, Hungary
Vilmos Zsigmond, ASC was a Hungarian-American cinematographer. His work in cinematography helped shape the look of American movies in the 1970s, making him one of the leading figures in the American New Wave movement. Wikipedia
Known For
Credits
- 2019 · Blood & Flesh: The Reel Life & Ghastly Death of Al Adamson as
- 2017 · Spielberg as Self
- 2016 · Close Encounters with Vilmos Zsigmond as Self
- 2012 · Black and White in Color: Vilmos Zsigmond on 'Blow Out' as Self
- 2012 · Side by Side as Self
- 2010 · A Cinematic Life: The Art and Influence of Conrad Hall as Self
- 2010 · Louis as Hungarian Photographer
- 2009 · No Subtitles Necessary: Laszlo & Vilmos as Self
- 2006 · Who Needs Sleep? as Self
- 2004 · Final Cut: The Making and Unmaking of Heaven's Gate as Self
- 2004 · Z Channel: A Magnificent Obsession as Self
- 2003 · Imagining Images as Self
- 2003 · Who Killed 'Winter Kills'? as Self
- 2003 · Easy Riders, Raging Bulls: How the Sex 'n' Drugs 'n' Rock 'n' Roll Generation Saved Hollywood as Self
- 2003 · Return of the "Hired Hand" as Himself
- 2002 · Vilmos Zsigmond Flashes 'The Long Goodbye' as Self
- 2001 · 'Obsession' Revisited as Self
- 2001 · The Making of 'Close Encounters of the Third Kind' as Self
- 2000 · Light Keeps Me Company as Self
- 1997 · Big Guns Talk: The Story of the Western as Self
- 1994 · Maverick as Albert Bierstadt
- 1992 · Visions of Light as Self
- 1953 · The Oscars as Self