Lothar Lambert
No one in Germany can more justifiably call himself an independent filmmaker than Lothar Lambert: 41 films to date since 1971, almost all financed out of his own pocket, as producer, director, screenwriter, actor and, time and again, as editor, cameraman, sound man and distributor. Cinema about sex and longings, self-realization and psychological deformities, desires, the weal and woe of the little-noticed in the (initially only West) Berlin urban jungle. And it is as authentic, shocking and tragicomic as you rarely find in this country. Because they were unusually weird and "dirty" in terms of content and form - especially for the well-behaved German standards - Lambert's works were quickly classified as "underground" in the seventies. And have recently been increasingly ignored by critics and film historians. Having long since become documents of the zeitgeist and thus of contemporary history, it is long overdue to (re)discover these works.
Known For
Credits
- 2015 · Carl Andersens Underground der Liebe as himself
- 2000 · From Here to Vanity as
- 1997 · Blonde to the Bone as Nachbar
- 1996 · Love/Hate Lola as Lola
- 1992 · A Fairy for Dessert as Julchen
- 1990 · You Elvis, Me Monroe as
- 1987 · Kismet Kismet as
- 1986 · Kobay as
- 1984 · Wolfgirl as Kurtchen "Marilyn"
- 1982 · Fucking City as Kurt
- 1982 · Dirty Daughters oder Die Hure und der Hurensohn as Betty
- 1981 · The Nightmare Woman as
- 1979 · Now or Never as
- 1977 · Late Show as
- 1974 · 1 Berlin-Harlem as
- 1973 · A Touch of Longing: His Fight as
- 1971 · Polizeiruf 110 as