Claire Denis
Claire Denis (born 21 April 1946) is a French film director and screenwriter. Her feature film Beau Travail (1999) has been called one of the greatest films of the 1990s and of all time. Other acclaimed works include Trouble Every Day (2001), 35 Shots of Rum (2008), White Material (2009), High Life (2018) and Both Sides of the Blade (2022), the last of which won her the Silver Bear for Best Director at the Berlin International Film Festival. For her film Stars at Noon (2022), Denis competed for the Palme d'Or at the 2022 Cannes Film Festival. She won the Grand Prix, sharing the award with Lukas Dhont's film Close. Her work has dealt with themes of colonial and post-colonial West Africa, as well as issues in modern France, and continues to influence European cinematic identity. Description above from the Wikipedia article Claire Denis, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Known For
Credits
- 2023 · Room 999 as Self
- 2021 · Claire Denis, les chemins de traverse as Self
- 2020 · Wim Wenders, Desperado as Self (archive sound)
- 2017 · Claire Denis : Leçon de cinéma as Self
- 2016 · Quotidien as Self - Guest
- 2016 · Les réalisatrices contemporaines: l'état des choses as Self
- 2016 · Truffaut / Godard, scénario d'une rupture as Self
- 2015 · The Breidjing Camp as Narrator
- 2013 · Trespassing Bergman as Self
- 2012 · Bergmans video as Self
- 2012 · Granny's Funeral as Une femme à l'enterrement
- 2012 · Silence as Self
- 2011 · Aller au diable as Self
- 2004 · Leçon de Cinéma as Self
- 2002 · Children of Salò as Self
- 2002 · Purely Coincidental as Self (Cameo appearance)
- 2002 · Through the Night with... as Self
- 2002 · Heart of the Festival as Self
- 1999 · Venus Beauty Institute as La cliente asmathique
- 1998 · Le Jour de Noël as
- 1996 · Claire Denis, The Vagabond as Self
- 1995 · To Have (Or Not) as Alice's Mother
- 1993 · Talking with Ozu as Self
- 1990 · Jacques Rivette, the Watchman as Self (uncredited)
- 1979 · Mais où et donc Ornicar as Jeune accouchée
- 1974 · Spécial cinéma as Self